Piet Zwart Institute: I Dream I Fall

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7 February Eye is closed

Eye Filmmuseum seen across the river IJ © Marcus Koppen

Eye Filmmuseum, © Marcus Koppen

Research Labs 2022: KABK

Research Labs 2022: Piet Zwart

Research Labs 2022: VRA Academy

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A performance to accompany Switch during Research Labs 2022

Research Labs 2022 Performance SWITCH

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About Eye

During the festive 10th edition, the Best, Most Urgent and Most Surprising works were awarded by the Cherry Pickers, a group of students from the participating academies.

Winners 2022

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In this moving image programme, artists and filmmakers dive headlong into the fever dreams of our reality. How do we connect with a climate of distrust and a planet in flux?

What can be salvaged from the archives of our collective memories? Can communication extend beyond networks to outer space? Students from the Piet Zwart Institute gather their image-making powers to explore fantasies and mythologies found in the everyday. One of the works is a single screen installation, 'Macro Landscape #2', which can be experienced in the 'Waterfront'. Exhibiting artists include Melek Bahce, Simon Becks, Kotryna Buruckaitė, Yuqing Cao, Garvan Corr, Aitan Ebrahimoff, Falcone Geddes, Luis Luján, Luca Ottmann, Pelle Nijburg, Veere Van Gent, Georgiana Barcan, Sacha Dufils, Adèle Grégoire, Shannon Liang, Martin Osowski, Tessel Schmidt and Luca Tichelman.

Research Labs

Following a Hito Steyerl remark (“Time is out of joint and we no longer know whether we are objects or subjects as we spiral down in an imperceptible free fall”) students of St. Joost  challenge established hierarchies within film, image, and sound. Is our world a simulation?

In the Eye Research Lab, the class investigated the genesis of a moving image, as well as film theory, science fiction and video art. They probed the various techniques and production methods utilized in creating a film piece that explores the concept of ‘Time Out of Joint’. The class experimented with a wide variety of source material including laboratory, analogue archival family, satellite, digital, 3-D rendered and found footage. The development of the course encompassed discussions of film theory, strategical writing, collection of visuals, and examination of critical elements of moving image such as sound mixing and editing. Destabilise time The anxieties of the present world seep into the themes for the works and include ecology, memory, dystopia, social media, and emigration in the time of a pandemic. Challenging established hierarchies within film, image, and sound, the group developed individual concepts that aim to destabilise time within the observer’s perspective. Is our own world a simulation?

Master Institute of Visual Culture: Time Out of Joint

Celebrating Eye's tenth anniversary of inviting students to curate research based programs, it is time to contemplate on the venue itself: the (film) theatre as unique space where creators interact with an audience.

“Bis ihr alle Brecht wie Bertolt” (Until you all break like Bertolt) – Samy Deluxe The eyes of the audience are used to a crisp, segurated look. We consume images alone or collectively in a space which is dedicated to the flexible craft, or in private caves. The audience is blessed or cursed by the shown visuals taken away into a shelter of imagination and conflict. Immersed in the play When we watch a film on Netflix we don’t pay attention to how the story is told in a formal way. We are immersed in the play. The play plays itself upon us; we are the platform which is distilling moments, phrases and habits into our forever after. Our daily life consists of reenacted fragments. We all actually play our favorite visual scenes. We are passing our collective visual archive by being present. Or not?

Royal Academy of Art: The Theatre as Frame

Students from the academies taking part in the Research Labs get to grips with work by students from the audio-visual departments of other art academies and universities. The winner gets to compile their very own evening in Eye.

This is going to be a long day in Eye. From ten in the morning until ten in the evening, new talent from the audio-visual courses will be allocated space to show their work. A student jury of 'Cherry Pickers' will award a 'Cherries' for best curated program, the most surprising work, the most urgent work, and a 'Wild Cherry'.
Each academy will make an hour-long presentation; the winning film will be screened in one of the filmmuseum’s state-of-the-art cinemas. 
But that’s not all: later in the year, one of the winners gets to compile an evening as part of the <a href="http://www.eyefilm.nl/en/badlands" target="_blank" rel="noreferrer noopener">Badlands series</a> where new film talent presents itself through debut films, discussions and films selected by inspirational makers.

Piet Zwart Institute: I Dream I Fall

Research Labs 2022

In this moving image programme, artists and filmmakers dive headlong into the fever dreams of our reality. How do we connect with a climate of distrust and a planet in flux?

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Winners 2022