Deze serie bestaat uit theoretische en analytische boeken op het gebied van restauratie, conservering, archief- en presentatiepraktijken die aansluiten bij het werk van Eye. De eerste titel verscheen in 2009, From Grain to Pixel. The Archival Life of Film in Transition van Giovanna Fossati. Inmiddels zijn er 20 boeken binnen de serie uitgebracht. Met Framing Film streven Eye en AUP ernaar academici en archivisten te ondersteunen in de reflectie rond filmarchief- en restauratiepraktijken.
Framing Film
Eye publiceert in samenwerking met uitgeverij Amsterdam University Press (AUP) een eigen academische boekenreeks getiteld Framing Film.

“The Eye Filmmuseum in Holland is a leader in the field and their Framing Film imprint adds invaluable scholarship to the field.”
Mike Leggett, Leonardo Reviews
Verschenen publicaties
2009 en 2011
- From Grain to Pixel. The Archival Life of Film in Transition door Giovanna Fossati
2012
- Watch and Learn: Rhetorical Devices in Classroom Films after 1940 door Eef Masson
2013
- Preserving and Exhibiting Media Art: Challenges and Perspectives door Julia Noordegraaf, Vinzenz Hediger, Cosetta Saba, Barbara Le Maitre
- Light Image Imagination door Martha Blassnigg
2015
- Fantasia of Color in Early Cinema door Tom Gunning, Joshua Yumibe, Giovanna Fossati en Jonathon Rosen
- Filming for the Future: The Work of Louis van Gasteren door Patricia Pisters
- Multiple Language Versions Made in BABELsberg: Ufa's International Strategy, 1929-1939 door Chris Wahl
2016
- Humour and Irony in Dutch Post-War Fiction Film door Peter Verstraten
- Exposing the Film Apparatus. The Film Archive as a Research Laboratory compiled door Giovanna Fossati en Annie van den Oever
- The Conscience of Cinema. The Works of Joris Ivens 1912-1989 door Thomas Waugh
2017
- Women in Silent Cinema. History of Fame and Failure door Annette Förster
- The Film Museum Practice and Film Historiography. The Case of the Nederlands Filmmuseum (1946–2000) door Bregt Lameris
- Images of Occupation in Dutch Film. Memory, Myth, and the Cultural Legacy of War door Wendy Burke
- The Films of Bill Morisson. Aesthetics of the Archive edited door Bernd Herzogenrath
2018
- The Colour Fantastic: Chromatic Worlds of Silent Cinema, samengesteld door Giovanna Fossati, Victoria Jackson, Bregt Lameris, Elif Rongen-Kaynakçi, Sarah Street en Joshua Yumibe
- The Greatest Films Never Seen. The Film Archive and the Copyright Smokescreen door Claudy Op den Kamp
- Images of Dutchness. Early cinema, Popular Visual Culture and the Emergence of a National Cliché, 1800-1914 door Sarah Dellmann
- From Grain to Pixel: The Archival Life of Film in Transition (revised edition) door Giovanna Fossati
2020
- Performing Moving Images. Access, Archive, Affects door Senta Siewert
2021
- Dutch Post-war Fiction Film through a Lens of Psychoanalysis door Peter Verstraten
Verwachte publicaties
2023
- Moving Images of the Past in the Digital Age. Forgetting the Archive samengesteld door Nezih Erdoğan en Ebru Kayaalp
- Yervant Gianikian and Angela Ricci Lucci at Work samengesteld door Alo Paistik en Jonathan Larcher
- Film Sound in Preservation and Presentation door Sonia Campanini
- The Gray Zone of Film Restoration. From Practice to Theory door Ross Lipmann
- Film Museums: Where Film History Meets the Digital Age door Grazia Ingravalle

Voor meer informatie over de losse edities en aanschaf kun je terecht op de website van Amsterdam University Press
“I ... applaud this [series'] effort, because for me the construction of film history has always been a complex matrix of social forces, academic research interest, and archival ability. Just as research queries by film scholars lead to films being prioritized for preservation and restoration, preservation initiatives in the archives also lead to an opening up of new film historical terrain”
Jan-Christopher Horak, voormalig Directeur UCLA Film & Television Archive