
Joker: Folie à Deux
Todd Phillips / US, 2024 / 138 min.
Where the first Joker was about loneliness, this sequel zooms in on the romanticising of chaos. Todd Phillips shifts the lens from individual madness to shared obsession. Hildur Gudnadóttir, associate artist of the Holland Festival 2026, returns with a haunting score.

Joaquin Phoenix reprises his role as Arthur Fleck, this time facing off against Lady Gaga as Harleen “Lee” Quinzel. Their encounter in Arkham State Hospital sparks a dangerous symbiosis, where love and destruction intertwine. Gaga’s performance is at once vulnerable and manipulative, a flawless contrast to Phoenix’s fragile intensity.
Joker: Folie à Deux is part of Hildur's Movie Picks: four films selected by associate artist Hildur Guðnadóttir, screening at Eye. The other films are Joker, Tár, and Persona.
About Hildur Guðnadóttir
The 79th edition of the Holland Festival’s associate artist is Icelandic composer, musician and vocalist Hildur Guðnadóttir (Reykjavik, 1982). She is one of the leading, multifaceted composers of film scores, experimental pop and contemporary music working today. Her work, which is often intense, poetic, dark and unpolished, is inspired by a variety of sources from the founders of contemporary music, such as György Ligeti and Kaija Saariaho, to minimal music, ambient and noise. She has collaborated with artists including Ryuichi Sakamoto, Jóhann Jóhannsson, The Knife and Animal Collective.
The general public know her work from films such as Joker (2019, also to be screened at Eye), for which she won an Oscar, Tàr (2022) or the HBO drama series Chernobyl (2019). This month, Hedda premiered at the Toronto film festival, the radical adaptation on Henrik Ibsen’s play with music by Guðnadóttir.
This is part of
Special screenings
Details
Director
Todd Phillips
Production year
2024
Country
US
Original title
Joker: Folie à Deux
Length
138 min.
Language
English
Subtitles
NLD
Format
DCP
Why in Eye
Joker: Folie à Deux is an intriguing, dissonant film. The mix of dark themes with smooth (but vocally unpolished) jazzy musical songs leads to an obstinate, almost Brechtian film that never tries to please, yet remains captivating. In addition, the cinematography is wonderful, Joaquin Phoenix is at the top of his game and Guðnadóttir’s score is at least as good as the one for the first Joker film. One of the most underrated films in recent years.
Thijs Havens
Programmer Eye Filmmuseum


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