
Intolerance
David Wark Griffith / US, 1916 / 167 min.
D.W. Griffith's sequel to The Birth of a Nation is a colossal spectacle, innovative in terms of film vocabulary and montage. Griffith wove together the rise of the labour movement in California and the fall of Babylon.

Griffith embarked on this ambitious project in response to the reception of Birth of a Nation (1915), the epic tale of two families during the Civil War. Griffith's apparent acceptance of the Ku Klux Klan in this film was heavily criticized, and the director was accused of being a racist. Intolerance was meant to prove his critics wrong. Griffith's chronicle of social injustice throughout the ages set out to clarify the “eternal battle between intolerance and love”.
In an audacious parallel montage, Griffith wove together four stories: his own times (the rise of the labour movement in California), the fall of Babylon, St Bartholomew”s Day massacre and the crucifixion of Christ. The heroine and connecting link is film star Lillian Gish, who appears in all four episodes.
Griffith proved to be a highly resourceful filmmaker: the episodes were tinted in separate colours (amber, blue, sepia, green), he made use of crane shots and cross-cuts, he shot some scenes on location while the stunning climax of the film relied on superb montage.
This is part of
Special screenings
Details
Director
David Wark Griffith
Production year
1916
Country
US
Original title
Intolerance
Length
167 min.
Language
none
Subtitles
NONE
Format
DCP
Part of
Feat or Failure
Magnum opus or flawed masterpiece? No film divided opinion at the last Cannes film festival as much as Francis Ford Coppola's latest epic, Megalopolis. To accompany the première, Eye is screening a selection of other films that turned out to be way ahead of their time – in spite of not being well understood in their own era.



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