Orphée

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The museum for film and the art of the moving image in the Netherlands. Visit the exhibition or cinema and discover our collection with more than 50.000 films.

Eye Filmmuseum

7 February Eye is closed

still from Orfeu Negro (Marcel Camus, BR/FR/IT 1959)

still Orfeu Negro (Marcel Camus, BR/FR/IT 1959)

Eye Filmmuseum seen across the river IJ © Marcus Koppen

Eye Filmmuseum, © Marcus Koppen

still from Cloacinae Serge Onnen & Sverre Fredriksen, NL 2017)

still from Eurydice, a Descent into Infinity (Celine Daemen, NL 2022)

campaign image Xtended: Eurydice, a Descent into Infinity (Celine Daemen, NL 2022)

still from Orphée (Jean Cocteau, FR 1950)

still Orphée (Jean Cocteau, FR 1950)

poster Orphée (Jean Cocteau, FR 1950)

still from Orfeo (Claude Goretta, FR/IT/CA/CH 1985)

still Orfeo (Claude Goretta, FR/IT/CA/CH 1985)

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About Eye

Anna Abrahams

This Virtual Reality opera is inspired by the ancient myth of Orpheus and Eurydice. The audience makes a solitary journey to an in-between space, between matter and eternity, in which time fades and the laws of space become obsolete.

For centuries we have mused on the infinity of our soul, which after death leaves our body behind as a temporary shell and itself resumes to wander – whether by reincarnating, ascending to a heaven or being uploaded to the cloud. These are all desires based on the contradiction between the deceptive material world and a higher eternal reality in which we find our peace. Eurydice's hypnotic singing draws you deeper and deeper into a labyrinth of corridors, ruins and balustrades, beyond which dizzying depths and vistas open up. Your curiosity is the best compass in this fascinating in-between space full of poetry and enchanting music. Eurydice, a descent into infinity has been embraced by the festival circuit (among other things, it was selected for the Venice Immersive 2022 competition) and won awards at the Geneva International Film Festival and the Red Sea International Film Festival. About the director Celine Daemen (1995, The Netherlands) is a director of transdisciplinary art. Her work can be situated at the intersection between theatre, music, visual arts and technology. After graduating from the Academy of Performative Arts Maastricht, she made several productions in which immersion in both music and a virtual environment form the common thread. Celine is the founder of Studio Nergens, in which she forms transdisciplinary symbioses with varying collaborators and artists. Thematically, questions on “being” are central to her work. Celine wants to create sensory experiences that invite the audience to gaze inwards. This journey inwards takes them to a place where personal associations arise in response to universal philosophical questions. Film Orphée On 28 February, <a href="https://www.eyefilm.nl/en/whats-on/eurydice-orphee/873461">Eye will host an evening</a> about the imagination and interpretation of the myth of Orpheus and Eurydice with the makers of the VR experience and guests, followed by the film <a href="https://www.eyefilm.nl/en/whats-on/orphee/872200">Orphée</a> (Jean Cocteau, 1950). The films <a href="https://www.eyefilm.nl/en/whats-on/orfeu-negro/868184">Orfeu Negro</a> (Marcel Camus, 1959) and the opera film <a href="https://www.eyefilm.nl/en/whats-on/orfeo/868179">Orfeo</a> (Claude Goretta, 1985) are also screened during the VR experience's run.

Eurydice, een afdaling in oneindigheid

Spectacular film adaptation of Monteverdi’s opera, based on the myth about the marriage of a demi-god to a nymph. Director Goretta concentrates on the story of Orpheus and his beloved Eurydice in the underworld. Cinema programme accompanying the VR experience ‘Eurydice, a descent into eternity’.

Director Claude Goretta bases this adaptation on the famous opera by Claudo Monteverdi, who gave his version of the Greek myth about poet Orpheus the title La favola d’Orfeo.

Orfeo

A fantastic, tragic and all-Black reworking of the Orpheus myth by Marcel Camus with music by Antônio Carlos Jobim. The film won 
the Palme d’Or at Cannes in 1959 and the Academy Award for Best Foreign 
Language Film in 1960. Screended parallel to the presentation of the VR experience 'Eurydice, a Descent into Infinity'.

Camus adapted the play Orfeu da Conceição by Vinicius de Moraes, which – in turn – is an adaptation of the Greek myth of Orpheus and Eurydice. He translated the given to the present by situating it in a favela in Rio de Janeiro during carnival. Tram conductor Orpheus falls for Euridice, yet gets engaged to someone else, with death as an unwelcome carnival guest in fancy dress.

Orfeu negro

exclusiveScreeningsInEye

A poet descends into the underworld to find his deceased love, accompanied by a mysterious Princess-who-is-Death. Jean Cocteau’s hypnotic adaptation of the Orpheus myth is still regarded as an undisputed masterpiece of avant-garde cinema. Through the looking-glass, into dreamland.

Descending into the underworld to see your beloved again: it’s a classic tale. In the hands of poet, filmmaker and designer Jean Cocteau, the Orpheus story becomes a brilliant, surrealist parable about Death and Love.

Eye on Art also focuses on experimental work by the new generation of makers and creators Researchlabs and the rich and animated history of the avant-garde film (Masters of the Avantgarde).The programme is not tied to a strict format and ranges from artist’s talks by filming artists, film evenings put together by artists or special programmes to accompany art exhibitions. All editions of Eye on Art are introduced by a talk, a piece of music or a brief performance. In English.

Eye on Art

Xtended

Free access for We Are Public members to the screening on 3 March.

Orphée

Jean Cocteau / FR, 1950 / 95 min.

A poet descends into the underworld to find his deceased love, accompanied by a mysterious Princess-who-is-Death. Jean Cocteau’s hypnotic adaptation of the Orpheus myth is still regarded as an undisputed masterpiece of avant-garde cinema. Through the looking-glass, into dreamland.

This is part of

Special screenings

Eurydice, een afdaling in oneindigheid

Orfeu negro

Orfeo

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Eye on Art

Why in Eye

A hypnotic film that takes us through the looking-glass. An enchanting trip through the underworld in search of lost love, just like in the VR experience 'Eurydice, a descent into eternity' – also screening in Eye.

Anna Abrahams
programmeur Eye

Orphée

Jean Cocteau / FR, 1950 / 95 min.

A poet descends into the underworld to find his deceased love, accompanied by a mysterious Princess-who-is-Death. Jean Cocteau’s hypnotic adaptation of the Orpheus myth is still regarded as an undisputed masterpiece of avant-garde cinema. Through the looking-glass, into dreamland.

This is part of

Special screenings

Eurydice, een afdaling in oneindigheid

Orfeu negro

Orfeo

Details

Director

Production year

Country

Original title

Length

Language

Subtitles

Format

Part of

Eye on Art

Why in Eye

A hypnotic film that takes us through the looking-glass. An enchanting trip through the underworld in search of lost love, just like in the VR experience 'Eurydice, a descent into eternity' – also screening in Eye.

Anna Abrahamsprogrammeur Eye

Anna Abrahams
programmeur Eye