
Tierische Liebe
Ulrich Seidl / AT, 1995 / 114 min.
People in a big city. Lonely people. People whose dogs, rats, rabbits and other pets serve as conversation partners, life partners, objects to be petted and bedmates. One of the most disquieting films in the Ulrich Seidl universe.

In Animal Love, Ulrich Seidl reveals the role pets play in human lives. More even than a human partner, pets act as partners, confidants, support and helpmeets, and even lovers. All roles the pet owner it seems is unable to fill within a human relationship. In presenting this in this way, Seidl mainly raises questions, without seeking to give answers. What does this say about human relationships? Is this a surrogate for a lack of love, devotion and affection?
Ulrich Seidl: "It’s true that my films are pessimistic (…) It’s simply that pessimism comes from observing how humans live together, the reality of how we live together."
"The original idea for the film was very radical: I imagined a film in which a man or a woman do with their pet all the things that a married couple would do: talk, eat, cuddle, give each other attention, go to bed together. And in the entire film there would be no communication between people."
Scandal
In 1994 Seidl's third feature sparked a scandal in Austria and garnered bad reviews, but abroad it became an acclaimed cult film. Even today Animal Love is seen as one of the most disturbing films in the Seidl universe. "Never in the movies have I looked so directly into hell," commented Werner Herzog uponviewing the film.
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Details
Director
Ulrich Seidl
Production year
1995
Country
AT
Original title
Tierische Liebe
Length
114 min.
Language
German
Subtitles
ENG
Format
35mm
Part of
Ulrich Seidl
Eye Filmmuseum presents Ulrich Seidl – Über das Leben, die Liebe und den Tod, the first exhibition – and the first complete film overview – of the renowned Austrian filmmaker in the Netherlands. Featuring a wealth of early, little-known and newly commissioned (film) works, the exhibition confronts visitors with the lives of a number of seemingly ordinary individuals, people who try to, in their own ways, make something of life in a late-capitalist society in which meaning has been replaced by consumerism.



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