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still The Mirror (Andrei Tarkovsky, SU 1974)

The Mirror

Andrej Tarkovski / SUHH, 1974 / 107 min.

In this dreamy classic, Andrej Tarkovsky’s most personal film, the Russian filmmaker forges childhood memories, news footage and poetry by his father Arseni into a true cinematic poem. Film selected by Nuri Bilge Ceylan.

poster The Mirror (Andrei Tarkovsky, SU 1974)

During a severe nervous breakdown, the lead re-experiences his childhood. Images of his beloved mother, grandmother (played by Tarkovski’s mother), his first love and his childhood home flood his mind.

Nostalgia, melancholy and dreams: Tarkovski referred to Mirror [Zerkalo] as his most personal work, however audiences wrote the director angry letters castigating him for the film’s ‘hermetic nature’.

The Soviet authorities also turned on the director due to his emphasis on cinema as an artistic expression without referring to the societal-socialist context. Mirror is definitely complex: past and present mingle, the script is idiosyncratic and the performances are often improvised. Mirror is therefore an archetypal Tarkovski film, in which the human soul metaphysically elevates itself above the quotidian.

Film selected by Nuri Bilge Ceylan

Nuri Bilge Ceylan picked Mirror for the film programme accompanying his exhibition at Eye. Ceylan always names Tarkovski as one of his biggest influences and in his international breakthrough Uzak (2002) one of the leads (modelled on himself) watches two Tarkovski films.

Details

Persons under 9 years must be accompanied by an adultScenes from this movie may cause fear

Director

Andrej Tarkovski

Production year

1974

Country

SUHH

Original title

Zerkalo

Length

107 min.

Language

Russian

Subtitles

NLD or ENG

Format

DCP

Part of

Nuri Bilge Ceylan

Eye Filmmuseum presents the first Dutch exhibition devoted to the work of acclaimed Turkish filmmaker and photographer Nuri Bilge Ceylan. For this occasion, the museum is bringing together his prize-winning films and lesser-known landscape photographs for the very first time. That combination reveals not only Ceylan’s masterly photographic eye and sense of composition, but also the deeply compassionate way he explores universal themes from a Turkish perspective.

Learn more
campaign image Nuri Bilge Ceylan – Inner Landscapes
still The Mirror (Andrei Tarkovsky, SU 1974)
still The Mirror (Andrei Tarkovsky, SU 1974)
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