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With Ah! Ah! die Oscar, however, the doubts begin to arise. While it’s possible that the brothers made the film themselves, it could also have been that in this case, it was one of the many foreign versions that they ‘appropriated’. In such cases, the original film was shown as if it had been made by the showman himself. By using a new title and/or a local ‘establishing shot’, the showman was able to give the impression that it was his own work.

Alberts Frères used this sort of appropriation many times. Een jongmensch heeft zich opgehangen aan een boom in het Muiderwoud, Koks-droomen and the various versions of De nieuwe loopjongen uit… can all be traced back to originally French films, each one of which was made by Pathé Frères: Le pendu (1906), Le rêve des marmitons (1908) and Les farces de Toto gâte-sauce (1905).

The dates of first screenings of Alberts Frères’ films all were nearly simultaneous with the release dates of the Pathé Frères films. This is one more reason to believe that these films were not imitations or remakes, but instead appropriated bastardisations of foreign films.