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65 Years of the Film Academy: Daphne Lucker

The Film Academy turns 65 this year! To celebrate this landmark anniversary, Eye Filmmuseum has been given access to every graduation film ever made, right from the very start back in 1958 – some of these films haven’t been screened since then. The films will be incorporated into the Eye collection over the next few years, and a selection of them can be seen on the Eye Film Player. We spoke to some of the makers. Daphne Lucker graduated in 2018 with her film Sisters.

By Michael Oudman01 July 2024

What did the Filmacademie teach you?

“I was 18 when I applied and I knew next to nothing about cinema. I loved watching films, and I had been intuitively making some things, but practically speaking I learned everything at the Filmacademie. You also learn how to collaborate well there. It also provided a good stepping stone on route to working professionally. My graduation film Sisters turned out to be a great calling card and a lot of producers sent me invitations. It also helps to apply to the Filmfonds. Naturally, I also learned a lot about cinema.”

Daphne Lucker (© Paul Vos)

Daphne Lucker (© Paul Vos)

You appear to be fascinated by dance.

“As a child I attended the Lucia Marthas Institute for Performing Arts pre-school, but I didn’t consider myself particularly talented – I was far too stiff. After I realised this, my other ambitions emerged and I left Lucia Marthas behind me. When I mentioned I wanted to shoot a dance film at the Filmacademie, lecturers told me it was a difficult genre that is hard to tell a story with. When another student in her final year, scriptwriter Rosita Wolkers, also stated she wanted to graduate with a dance film, I thought ‘Fuck it!’ let’s just try. In the end, everyone was wildly enthusiastic even though not all of our lecturers were quite sure how to tutor us. Sometimes lecturers have the tendency to coach things to death, but on this occasion, it was to our advantage that no one really knew what to do. When making Sisters, we benefited greatly from screenwriter Mart Dominicus, who has experience with dance films.”

“I view the Filmacademie as a proper trade school, not a an art college.”

Daphne Lucker

still from Sisters (Daphne Lucker, NL 2018)

still Sisters (Daphne Lucker, NL 2018)

Poetic or realistic?

“Personally, I think a combination works best. What I don't think works so well with dance films is that audiences lack structure which means the story doesn't work out and becomes inaccessible.. We constantly wondered how many crutches to give viewers. I think we struck a good balance.”

Watch online

Watch Sisters for free on the Eye Film Player.

Visit the Eye Film Player
still from Sisters (Daphne Lucker, NL 2018)

still Sisters (Daphne Lucker, NL 2018)

You also attended the Fotoacademie. What is the biggest difference between it and the Filmacademie?

“At the Filmacademie you primarily learn how to collaborate. As a director, you are stood around a lump of clay with a group of people and you have to describe what needs to be done while they put things together. I wanted to do the work myself and that is what you do at photography school. I control the camera and so there’s no need for me to explain myself which means I can remain truer to myself. After the Filmacademie I thought camera people would know best, yet now I also know which lenses do what, and that breeds confidence.”

still from In Kropsdam is iedereen gelukkig (Joren Molter, NL 2016)

still In Kropsdam is iedereen gelukkig (Joren Molter, NL 2016)

Eye Film Player

The Nederlandse Filmacademie will celebrate its 65th anniversary this year. Stream a special selection of graduation films from 65 years of Film Academy history. A new film is added every month.

Visit the Eye Film Player