Why documentaries?
“Because I can then be somewhere with particular people. The idea develops from some feeling inside, I subsequently seek out a world or the people that can translate that feeling. People I appreciate; that I can learn something from. There is also something to do with connection in there. Even though you have little in common with people, you nevertheless feel the connection, enabling you to spend time with them. People who have watched Cargo sometimes say: ‘You’re a real fly on the wall, those people don’t even realise you are there’, however, I am conversely very present. The characters often also talk to me. Only, I don’t put that in the film. Mutual trust develops; a kind of friendship. I recently bumped into Frans, the lead in Cargo, and it was really fun to talk to him again after such a long time. He has since retired and fallen in love again. And has a small boat that bears the name of his new love in calligraphy.”