Restoring Ula Stöckl's Neun Leben Hat Die Katze (The Cat Has Nine Lives)
Julia Wallmüller, Deutsche Kinemathek
Recovering Early Optical Sound
Simon Lund, Cineric, Inc.
The Restoration of Le fer à cheval (1909) by Camille de Morlhon.
Marcello Seregni, Associazione Culturale Hommelette (Trieste) / Fondazione Cineteca Italiana
Alice Rispoli, Associazione Culturale Hommelette (Trieste) / Cineteca del Friuli
Dick Higgins’ “For the Dead”: The Challenges of Preserving a Moebius Strip Loop Film
Kristof Efferenn, Kunsthochschule für Medien Köln
Arnaud Obermann, Staatsgalerie Stuttgart
The REMI Project – Handmade Emulsion Primitive Colour
Esther Urlus, WORM Filmwerkplaats
Preservation and Accessibility of Digital Born and Digitized Film
Jeroen De Mol, Eye Filmmuseum
Annegien Schrier, Eye Filmmuseum
HDR Grading Applied to Film Heritage
Audrey Birrien, Éclair
Preservation Metadata for DPX
Marjolein Steeman, Netherlands Institute for Sound and Vision
Josefien Schuurman, Netherlands Institute for Sound and Vision
Restoring Fritz Lang’s DER MÜDE TOD (Destiny)
Anke Wilkening, Friedrich-Wilhelm-Murnau-Stiftung
Preserving Imperfection – Ethics and Pragmatism in Digital Preservation
Tone Føreland, National Library of Norway
Traditional Photochemical Printing – Sharing Laboratory Techiques
Tiago Ganhão, Cinemateca Portuguesa
Paolo Bernardini, Cinemateca Portuguesa
Innovating Analogue Lab Techniques for use in the Digital Age
Gerard de Haan, Haghefilm Digitaal
Film Restoration Using Classical Conservation/Restoration Tools and Techniques
Ulrich Ruedel, University of Applied Science, Berlin
Anke Mebold, Deutsches Filminstitut, Wiesbaden
Building a Flexible High Resolution Scanner for Legacy Film Capture
Daniel Borenstein, Centre national du cinéma et de l'image animée
Chris Hall, Filmlight Ltd, UK
Acoustics for Small Rooms
Gilles Barberis, l’Immagine Ritrovata
Lorenzo Rattini, DAS – DecoAcousticSolution
The Digital release of Napoleon vu par Abel Gance (1927)
Ben Thompson, BFI National Archive
Paul Wright MIET – Dragon Digital Ltd.
