Festival
ResearchLabs 2026
13 — 14 februari 2026
Studenten van verschillende kunstacademies en universiteiten wordt gevraagd een programma samen te stellen met eigen werk en films uit de collectie van Eye. De ResearchLabs volgen geen strikt format en zijn vaak een culturele cross-over tussen film en andere kunstvormen.
Tijdens de jaarlijkse ResearchLabs is Eye een ontmoetingsplaats voor studenten van academies en universiteiten die samenkomen om er hun eigen werk te presenteren en dat van anderen te bekijken.
Academies die deelnemen aan de ResearchLabs zijn: het Sandberg Instituut, de Gerrit Rietveld Academie, de Universiteit Leiden, de Koninklijke Academie van Beeldende Kunsten, de Universiteit van Amsterdam, het Piet Zwart Institute, de Master of Film (Nederlandse Filmacademie), de AKI (ArtEZ), de VR Academy en het Master Institute of Visual Cultures van de St. Joost School of Art & Design.
ResearchLabs 2026
ResearchLabs 2026 neemt vrijdag 13 en zaterdag 14 februari plaats. Op beide dagen (vrijdag 16:30 - 21:30, zaterdag 12:00 - 20:30) kun je de virtual reality presentatie Dissolved in Transit van VR Academy bezoeken op vertoon van een bioscoopkaartje voor de andere ResearchLabs-presentaties.
Eerder in Eye
AKI ArtEZ: We Don't Live Forever. The Essence of Us Does
Filmacademie: Shadowplay
Fine Art Department Sandberg Institute: The Unreliable Narrator
HKU: This frenzied perplexion...
Leiden University: Disconnecting in a personal dystopia
MIVC: Echoes of Existence
Piet Zwart Institute: Everytime the screen goes black, time cracks
Rietveld Academy: Love Bit[e]s
Royal Academy of Art: Place
UvA: Ways of Sensing - Experiments in Phenomenology
VR Academy: Dissolved in Transit
Aan het einde van de dag bekronen de Cherry Pickers, een groep van studenten van de deelnemende academies, het best samengestelde programma, het urgentste werk, het verrassendste werk met een Cherry en kennen ze ook een Wild Cherry toe. De Cherries zijn ontworpen en geprint door kunstenaar Tibor Dieters.
Cherries 2026
Jurycommentaar door Cherry picker Ariella Kolshi
Best curated:
Fine Art Department Sandberg Institute: The Unreliable Narrator
“The Sandberg Institute's programme was exceptionally curated, primarily due to its demonstration of the extensive possibilities in its curatorial approach. They used a variety of approaches to achieve a distinctive final product. Furthermore, each component of the programme resonated profoundly with us, and the creators themselves made a particularly strong impression with their monologues. In conclusion, this was an innovative approach to curation and film.”
Most urgent:
Baby Flacon at the Library, Piet Zwart
“From the beginning, this film struck a chord with all of us. The programme addressed a topic of relevance to all residents of the Netherlands, doing so in a clever and socially conscious manner. We found the approach taken to be somewhat absurd, given the gravity and relevance of the matter at hand. Furthermore, we determined that this was the most inclusive work. This is the reason for its success.”
Most surprising:
No Title, Rietveld
“During the selection process for the winner of this category, the group engaged in extensive deliberations regarding the definition of "surprising." After careful consideration, we selected the winner of this category due to its remarkable ability to engage and captivate viewers. The timing within this film was impeccable, and the way it played with and thought about the reactions of the audience was truly exceptional—a rare feat in the industry. The combination of these small interactions and the conventional use of film resulted in a work that was both surprising and innovative.”
Wild cherry:
Do You Know What the Colour Green Means, KABK
“When selecting the Wild Cherry, we thought about which film touched us on an instinctive level. Ultimately, we made our choice because the winner of this category managed to do just that perfectly. It is a visually clever film, with a lot of attention to the surroundings, combined with a personal yet recognisable story about a family situation. The film ticked both the narrative and visual boxes, and did so in an almost cosmically connecting way. Everything felt right to us, and that is why this is the winner.”
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